We Out Here · Photo: Perry Gibson

Kyle Blackburn Founder of Soundfangled

Technical production.
Built properly.

I’m a Brighton-based technical production manager and live sound engineer, leading festivals, tours, brand environments and venue projects across the UK and internationally.

Selectedwork ↓
Production management Live sound System design Crew management Venues & installations
Kyle Blackburn
Kyle Blackburn mixing front of house during a live show

Technical production manager · live sound engineer · founder, Soundfangled

Complex work.
Made manageable.

I’m usually brought in when a project is ambitious, the moving parts are multiplying and somebody needs to see the whole picture. I turn ideas into clear budgets, joined-up technical plans and properly briefed teams—then stay close enough to the detail to get it over the line.

A bit more about me

Built from audio. Grown through production.

The right people,
around the right plan.

I founded Soundfangled to make ambitious live projects easier to deliver. It gives me a trusted team and specialist network across production, audio, lighting, video, staging, structures, AV, acoustics and build—without forcing every project into the same shape.

Visit Soundfangled
10+years in production management
25kcapacity festival leadership
300–400crew and contractors coordinated

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Mount Kimbie performing on the main stage at We Out Here Festival
We Out Here · Main stage Mount Kimbie · Photo: Jake Davis / Khroma Collective
The completed Alphabet music venue in Brighton 02 Related case study ↗

Venue technical & crew management

A L P H A B E T

Brighton

An ongoing technical partnership spanning live audio, lighting, acoustic treatment, AV systems, show standards, maintenance and crew workflows for an audio-led music venue.

Kyle Blackburn mixing front of house during a live show 03

Touring FOH & artist production

On the road

Barrington Levy · Hak Baker · Joe Armon-Jones · Rotary Connection

Front-of-house engineering, production planning, technical specifications and system decisions that protect the artist’s intent from rehearsal room to festival stage.

A good activation still has to work as a venue.

Production management, technical delivery and supplier coordination for branded spaces, stages and festival environments—balancing identity, audience flow, performance and the practical detail behind the scenes.

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One point of
clarity.

I can lead the whole technical picture or strengthen one critical part of it. Either way, the job is to remove gaps between departments and keep the work useful, direct and properly communicated.

01

Festival & event production management

Budgets, schedules, suppliers, crew, logistics, artist advancing and on-site leadership—from the first brief to the final truck out.

02

Technical direction & integrated design

Audio, lighting, video, staging, structures and power brought into one practical technical plan that every department can work from.

03

Live sound, FOH & system design

Touring front-of-house engineering, PA design, prediction, tuning and audio direction built around the artist, audience and environment.

04

Venue technical & crew management

Technical standards, show files, staffing, maintenance and day-to-day systems that help venues run consistently without losing their character.

05

AV hire, systems & installations

The right equipment, trusted suppliers and experienced operators for temporary shows or permanent spaces—specified around the job, not a stock list.

06

Acoustics & environmental design

Acoustic treatment, sound isolation and AV integration considered as part of the whole space, alongside workflow, lighting and how people actually use it.

From “what if?” to doors open.

  1. 01

    Understand

    Get clear on the audience, ambition, budget and non-negotiables.

  2. 02

    Design

    Turn creative intent into systems, drawings and a route to build.

  3. 03

    Plan

    Lock the team, suppliers, schedule, information and responsibilities.

  4. 04

    Deliver

    Lead on the ground, communicate clearly and solve issues early.

  5. 05

    Improve

    Close cleanly, capture what worked and make the next one better.

Kyle Blackburn at the front-of-house sound desk during production rehearsals

Engineer’s brain.
Producer’s instinct.

I started in audio, so I still approach every project like a system: understand it, find the weak points and make it work under pressure.

More than a decade in live production has taken me from club rooms and studios to major festival stages, touring shows, brand spaces and permanent venue systems. I’m hands-on enough to understand the detail and experienced enough to lead the whole picture.

Through Soundfangled, I build the team each job actually needs. Communication stays direct, budgets stay visible and everyone knows what good looks like before we get to site.

“Hard-working, forward-thinking and able to head off issues before they become problems.”
Spike BrookesFestival production collaborator

Got something
ambitious? Good.

Tell me what you’re building, where it needs to happen and what success looks like. I’ll help make the technical route clear.

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